Uncategorized

Blind Strike – Curse The Worst

By Charlie Englar Greeley’s own Blind Strike has something for you. It’s their first EP, Curse The Worst, and it’s oozing with high energy muscle and buzz. Consisting of Cody Jeffreys on lead vocals, Dan […]

Uncategorized

The Acidophiles – Earth

By Conor Hooley The schizophrenic stylings of Fort Collins-based electronic duo The Acidophiles (Zac Rachid and Amandha Gibson) are on full display on their new EP. Earth is a continuously mixed, five-track offering geared toward […]

Uncategorized

Wire Faces – Diamonds & Gold EP

By Molly McCowan The hook that Wire Faces lays down in the first track on Diamonds & Gold – entitled “Magic Mountain” – is one that wriggles and buzzes in the net between your ears. […]

Uncategorized

David Michael Boyd – guitART

By Dusty Ray David Michael Boyd has created a rich and diverse album with guitART. Everything from delta blues, melodramatic classical to free jazz is revealed in this technically impressive cut. Boyd’s guitar work is […]

Uncategorized

Matt Smiley – Quartet Art

By Dusty Ray Matt Smiley might be best known for his work with Fort Collins’ own Subterranean Jazz Trio, but his own improvisational and compositional ability is shown in full force with his latest cut, […]

Uncategorized

Springdale Quartet – Noise Factory

By Devin Morse In the most quintessential way, Springdale Quartet is a jam band. This instrumental, Boulder based funk/jazz fusion outfi t threads upbeat rhythms with playful organ and guitar riffs in a manner that […]

Uncategorized

Shooting Down Satellites – The Sovereign EP

By Conor Hooley Shooting Down Satellites’ The Sovereign EP takes modern rock into outer space, with an inviting combination of anthemic sounds and interstellar overtones. The opening track “Beautiful Backbone” begins with an ambient overture […]

Uncategorized

Emcee Evolution – Street Corner Poet

By Conor Hooley The only way that Emcee Evolution’s Street Corner Poet could be more backpacker-friendly is if it was released on Rawkus Records. In 1997. The album spends most of its time – both […]